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‘Time no Time’, 2020-2026 

 

Ambiguous, intangible, and in flux, Dahye Kim’s installation explores time and memory as processes of becoming, dissolving, and re-emerging. Time no Time, her second solo exhibition in Florida, reflects on a reality increasingly mediated and reduced through technology and the online world. Drawn from photographs taken during her travels and thoughts developed over the past six years across diverse natural landscapes in the United States, the exhibition examines shifting perceptions of presence, memory, and temporality in digital space.

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As a conceptual digital media artist, Kim creates immersive environments using video, photography, internet, coding, light, and sound. Her practice investigates the intersections of time, memory, environment, and scientific ideas through technologically mediated experiences. In this exhibition, reflective screens function as temporal mirrors in which past, present, and future collapse into a continuous surface.

 

Transforming the gallery into a fluid and shifting environment, Kim blurs the boundaries between material and immaterial, presence and illusion, and the natural and artificial. Minimal gestures—subtle color transitions, horizon-like lines, and shifting light—evoke unstable landscapes suspended between physical and virtual space. Her work gestures toward the evolving condition of the internet, where time fragments, loops, and becomes increasingly abstract. Through minimal digital interventions, Kim invites viewers to experience time not as linear, but as something sensed, elusive, and constantly unfolding.

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